INSTRUCTORS

All The Way Mae
All The Way Mae(They/Them)
All The Way Mae is a queer, non-binary, white, disabled, Autistic burlesque performer and producer living on the unceded territories of the Coast Salish peoples–Sḵwx̱wú7mesh (Squamish), Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations. They have performed across North America, served on the Vancouver International Burlesque Festival board of directors in 2010 and 2011, produced dozens of burlesque shows from the years 2007-2013, and recently celebrated a return to burlesque in 2021. Producing under Twisted Tassels, All The Way Mae creates shows that aim to uplift performers from different marginalized groups and intentionally create safe, supportive spaces and community.

In their non-performer life, Mae works as a counsellor with an extensive background in disability supports, crisis management, and conflict de-escalation, all of which inform how they approach working with others in their productions and as a performer. They are drawn to the creative expression of burlesque, the potential for a supportive community that it offers, and its inherently political nature. As an openly Autistic performer, All The Way Mae hopes to increase visibility of neurodivergent performers and advocate for ND-safe performance spaces.

Panel:
Red Flag, Green Flag: Safety Considerations for the Burlesque Industry (Recorded live on June 25, 2022)

Cherry Cheeks
Cherry Cheeks(She/Her)
This energetic eghadāni monelīn is hungry for the waves of change. She regularly holds space for important conversations around equity and decolonization within burlesque and the performing arts to foster safer spaces for performers of color and performers from marginalized and underrepresented identities. Always on the go, Cherry is the producer of House of Cheek Productions, co-producer and Diversity Coordinator of the Isle of Tease Burlesque Festival, Youtube sensation at Cheeky Burlesque, and a frequent community builder within Lekwungen Territory (Victoria, BC). There is no slowing down for this Tāłtān Temptation!

Panel:
Red Flag, Green Flag: Safety Considerations for the Burlesque Industry (Recorded live on June 25, 2022)

Dahlia Kash
Dahlia Kash(They/She)

Known as The Mocha Mae West for her quick wit & sultry moves, Dahlia Kash is no wallflower! They’re the producer of Melange: A Queer & POC Variety Show in Portland, OR, Mischief: A Melanated Variety Show in Olympia, WA, as well as The Rock Show, an all POC Variety show, also in Olympia. San Francisco Bay area born & raised, and Pacific Northwest based, this Queer Fat Femme is gonna rock your world!

Panels:
The Virtual Reality: A Panel Discussion About Virtual Burlesque Shows (Recorded live in January, 2022)

Red Flag, Green Flag: Liability Concerns for the Burlesque Industry (Live on March 5, 2023)

Eun Bee Yes
Eun Bee Yes(He/Him, Zie/Zir)
Eun Bee Yes (full name Eun Bee Yes Smith Sacaetty Stahr Devereaux St James, pronouns: he/him/his or zie/zir/zirs) is a non-binary/genderqueer show producer, artist, blogger, fanfic writer, single parent, and radical activist. In Eun’s muggle life, they are the executive director of SlutWalk Twin Cities, the international grassroots protest against rape culture. SlutWalk Twin Cities is now 10 years strong and has an annual SlutWalk along with two fundraisers, one of them the Diversity Ball which centers artists of colour, queer artists of colour, and those who live with physical and invisible disabilities.

Eun Bee Yes is proud to be honoured by the Ladies of the Lake, a fully professed House of the Sisters of Perpetual Indulgence, as Saint Walk of No Shame.

Eun Bee Yes is the show producer of Transcendence Cabaret, a monthly online show which features transgender artists of colour, including non-binary and gender non-conforming artists in the main cast as well as guest performers. This is one of a handful of shows in the United States that feature primarily BIPOC artists.

You can follow Eun Bee Yes on Instagram or on Twitter.

Classes:
Ace Artists: The Art of Connecting with Others (Recorded live on October 22, 2022)

Glitter Activism: Using Burlesque to Create Social Change (Recorded live in July, 2021)

Frankie Fingerling
Frankie Fingerling(They/Them)

Frankie Fingerling is a multi-disciplinary artist based in Amiskwaciy waskahikan (“ah-miss-kwa-chee wah-skay-gun”), colonially known as Edmonton, Alberta, Canada. No matter the medium, their art helps them process their own lived experiences and trauma as a non-binary Chinese person navigating life in a predominantly white, conservative province. They are inspired by their late grandfather who was an oil paint artist in Hong Kong and the Philippines, as well as QTBIPOC art from around the world. By trade, Frankie is a researcher and curriculum developer, which informs their current artistic practice as a burlesque performer and producer, and lifelong journey of learning and growth.

Panels:
The Virtual Reality: A Panel Discussion About Virtual Burlesque Shows (Recorded live in January, 2022)

Red Flag, Green Flag: Safety Considerations for the Burlesque Industry (Recorded live on June 25, 2022)

Red Flag, Green Flag: Liability Concerns for the Burlesque Industry (Live on March 5, 2023)

Liz Baskin'
Liz Baskin'(She/They)
Liz Baskin’ is the Chartreuse mousse! The original hi-viz, industrial delight started off behind the scenes as a designer and seamstress sewing for many of Winnipeg’s well-known bellydancers and burlesque performers. Post workplace injury, they spent several years navigating disability which spurred a new passion; Occupational health and safety. While reinventing and recovering, Liz eventually made her way onto the stage and debuted her first act “Black Dresses” at the Winnipeg International Burlesque Festival in 2018. Liz provides safety consultations, safety program development, and safety services, ensuring workers of all industries are safe at work.

Panel:
Red Flag, Green Flag: Liability Concerns for the Burlesque Industry (Live on March 5, 2023)

Tas Al-Ghul
Tas Al-Ghul(She/Her, They/Them)
Coming to you from unceded Fernandeño Tataviam, Gabrieleño/Tongva, and Chumash land (colonially known as Los Angeles, CA), this queer and curvy performer hypnotizes crowds across the country with their golden voice and bumps and grinds. They are an award-winning neurodivergent queer plus-sized second-generation South Asian-American Muslim cosplayer, model, and performance artist originally from the NYC Metro area (unceded Munsee Lenape land).

Tas wields her art as a form of social activism designed to explore the varied (and sometimes conflicting) facets of her identity, with the intention to challenge expectations related to these facets, specifically: intersections of race, sexuality, and heritage. She is a core cast member of the Old Hollywood-style variety show Babylon Cabaret and also SoCal’s only all Asian cabaret The Jade Follies, as well as the 2015 and 2017 California Burlypicks Master of Singing, earning her the monikers of “the sultry and seductive South Asian siren” and “The Bengal Bombshell.”

Additionally, Tas has been a Diversity, Equity, Accessibility, and Inclusivity Consultant for over a decade and holds a B.A. in Psychology as well as a Masters in Clinical Social Work, in addition to several certificates and over 15 years of field experience.

Class:
Don’t Get Cancelled with Tas Al-Ghul (Recorded live on July 16, 2022)

Panel:
Red Flag, Green Flag: Safety Considerations for the Burlesque Industry (Recorded live on June 25, 2022)

Winona J. Fox
Winona J. Fox(She/Her)
Winona J. Fox is a Canadian-Colombian burlesque powerhouse and emerging entrepreneur who delivers authentic and irreverent power in all of her work. Winona started her burlesque journey as a volunteer stage kitten in 2017 and debuted her first act in late 2019. During the 2020 lockdown, she continued to develop her burlesque career online by producing independent burlesque videos and online shows with TeleThong Productions and Amplify. During this time, she also developed her workshop Online Burlesque For Beginners, a workshop dedicated to teaching burlesque performers how to create compelling online acts with limited resources and energy. In late 2021, Winona returned to the stage as a full-time stage kitten for The Wiggle Room while also pursuing a Graduate Diploma in Business Administration; these experiences have provided her with important insight into how to navigate the burlesque industry safely, productively, and profitably, both on and off the stage. She’s Montreal’s Reigning Queen of Mean; watch out for Winona J. Fox!

Panel:
Red Flag, Green Flag: Liability Concerns for the Burlesque Industry (Live on March 5, 2023)